{"id":2982,"date":"2019-09-13T09:51:22","date_gmt":"2019-09-13T12:51:22","guid":{"rendered":"http:\/\/eventos.ufrrj.br\/raic\/?page_id=2982"},"modified":"2019-09-21T16:13:58","modified_gmt":"2019-09-21T19:13:58","slug":"ciencias-humanas-sociais-aplicadas-letras-linguistica-e-artes-paineis","status":"publish","type":"page","link":"https:\/\/eventos.ufrrj.br\/raic\/ciencias-humanas-sociais-aplicadas-letras-linguistica-e-artes-paineis\/","title":{"rendered":"Ci\u00eancias Humanas, Sociais Aplicadas, Letras, Lingu\u00edstica e Artes &#8211; Pain\u00e9is"},"content":{"rendered":"<table cellspacing=\"0\" border=\"0\">\n<colgroup width=\"65\"><\/colgroup>\n<colgroup width=\"131\"><\/colgroup>\n<colgroup width=\"1745\"><\/colgroup>\n<colgroup width=\"321\"><\/colgroup>\n<tbody>\n<tr>\n<td style=\"border: 2px solid #000000\" colspan=\"4\" valign=\"bottom\" height=\"23\" bgcolor=\"#E2EFD9\" align=\"center\"><b><span style=\"color: #000000;font-size: large\">Ci\u00eancias Humanas, Ci\u00eancias Sociais Aplicada, Letras, Lingu\u00edstica e Artes &#8211; Instituto de Educa\u00e7\u00e3o, Serop\u00e9dica &#8211; Segunda-feira (23\/09\/2019) &#8211; 13:00-17:00 h<\/span><\/b><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 2px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"middle\" height=\"20\" bgcolor=\"#E2EFD9\" align=\"center\"><b><span style=\"color: #000000;font-size: medium\">&nbsp;<\/span><\/b><\/td>\n<td style=\"border-top: 2px solid #000000;border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"middle\" align=\"center\"><b><span style=\"font-size: medium\">ID da Entrada<\/span><\/b><\/td>\n<td style=\"border-top: 2px solid #000000;border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"middle\" align=\"center\"><b><span style=\"font-size: medium\">T\u00edtulo<\/span><\/b><\/td>\n<td style=\"border-top: 2px solid #000000;border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"middle\" align=\"center\"><b><span style=\"color: #000000;font-size: medium\">Graduando<\/span><\/b><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 2px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"18\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">1<\/span><\/td>\n<td style=\"border-top: 2px solid #000000;border-bottom: 1px solid #000000;border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4912<\/span><\/td>\n<td style=\"border-top: 2px solid #000000;border-bottom: 1px solid #000000;border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">AS VIV\u00caNCIAS EM UM GRUPO DE PESQUISA E AS CONTRIBUI\u00c7\u00d5ES DAS NARRATIVAS DOCENTES SOBRE O PROCESSO DE ALFABETIZA\u00c7\u00c3O DE CRIAN\u00c7AS.<\/span><\/td>\n<td style=\"border-top: 2px solid #000000;border-bottom: 1px solid #000000;border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Mariziane de Souza Cunha Berkowitz<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"18\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">2<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">5001<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">AS VIV\u00caNCIAS EM UM GRUPO DE PESQUISA E AS CONTRIBUI\u00c7\u00d5ES DAS NARRATIVAS DOCENTES SOBRE O PROCESSO DE ALFABETIZA\u00c7\u00c3O DE CRIAN\u00c7AS.<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Ana Carolina Batista Souza<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"18\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">3<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">5308<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Contexto eleitoral 2018: Uma avalia\u00e7\u00e3o de escala psicom\u00e9trica.<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Juliana Macedo Andrade<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"18\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">4<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4927<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">DOC\u00caNCIA NA EDUCA\u00c7\u00c3O AGROECOL\u00d3GICA: APROXIMA\u00c7\u00c3O ENTRE SABERES DA PR\u00c1TICA E OS SABERES DA FORMA\u00c7\u00c3O<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Nelsimar Dias Perosini<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"18\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">5<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">5048<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Em\u00edlia Viotti da Costa &#8211; A hist\u00f3ria como instrumento de mudan\u00e7a<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">J\u00falia D&#8217;Aiuto Eckhardt Xavier<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"18\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">6<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">5259<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">\u201cTantas caras tristes, querendo chegar, em algum destino, em algum lugar\u201d. Migra\u00e7\u00f5es negras, trabalho e trajet\u00f3rias no P\u00f3s-Aboli\u00e7\u00e3o do Rio de Janeiro (1920-1950)<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Renata da Silva Aquino<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"18\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">7<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">5447<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">CABELO, AFETO E TRADI\u00c7\u00c3O: A PRESEN\u00c7A DA FAM\u00cdLIA NA CONSTRU\u00c7\u00c3O DE AUTO ESTIMA NOS LIVROS DE LITERATURA INFANTO-JUVENIL<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Talita De Aguiar Pires<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"18\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">8<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">5422<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">CAMINHOS GEOLITER\u00c1RIOS RELATANDO VIV\u00caNCIAS: A TRAJET\u00d3RIA DE UM PROJETO DE EXTENS\u00c3O.<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Bruno Luis de Souza Felix dos Santos<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"18\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">9<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">5407<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">La\u00e7os desfeitos, v\u00ednculos constru\u00eddos e \u201csocioafetividade\u201d: um estudo sobre valores morais e pr\u00e1ticas legais no cen\u00e1rio da ado\u00e7\u00e3o no Rio de Janeiro.<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Vit\u00f3ria Soares de Oliveira<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"18\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">10<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4678<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" bgcolor=\"#FFFFFF\" align=\"left\"><span style=\"color: #000000\">A CONTRIBUI\u00c7\u00c3O DA NARRATIVA DOS DOCENTES NO PROCESSO DE INVESTIGA\u00c7\u00c3O NA EDUCA\u00c7\u00c3O<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Gabriela Pereira Galdino<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"18\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">11<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">5321<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">O ESTADO DA ARTE DA APLICA\u00c7\u00c3O DE TECNOLOGIAS DIGITAIS NA AQUISI\u00c7\u00c3O DE DADOS GEOM\u00c9TRICOS DO PATRIM\u00d4NIO MATERIAL NO BRASIL<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Ricardo Ferreira Vieira<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"18\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">12<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">5339<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">An\u00e1lise morfo-territorial e tipo-morfol\u00f3gica na borda oeste metropolitana do Rio de Janeiro: Japeri e Paracambi<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Gabriel Rodrigues de Mendon\u00e7a<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">13<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">5249<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">ESTUDO DAS APLICA\u00c7\u00d5ES DAS NORMAS DE ACESSIBILIDADE NAS ESTA\u00c7\u00d5ES DO RAMAL JAPERI: REFORMULA\u00c7\u00c3O DA ESTA\u00c7\u00c3O DE COMENDADOR SOARES SOB O CONCEITO DE DESENHO UNIVERSAL<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Ana Beatriz Pellegrino Alves<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">14<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">5431<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">MORADIA EM TR\u00c2NSITO E CAMINHOS PERMANENTES: O MORAR NA AVENIDA BRASIL<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Mariana Dias Senna<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">15<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4681<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">ILHAS DE CALOR: Emprego da arboriza\u00e7\u00e3o na melhoria do conforto t\u00e9rmico nos espa\u00e7os urbanos<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">THALLISON<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">16<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4677<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">DE BRA\u00c7OS ABERTOS: UM OLHAR SOBRE O ACOLHIMENTO DE REFUGIADOS NO RIO DE JANEIRO<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Mariana Lobo Menezes Dias<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">17<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">5114<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">TRABALHISMO AGR\u00c1RIO BRASILEIRO: A TRAJET\u00d3RIA DE FERNANDO FERRARI<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Lucas Fran\u00e7a de Almeida Mendes<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">18<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4915<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">TURISMO, PRODU\u00c7\u00c3O E CONSUMO DO ESPA\u00c7O NA COSTA VERDE FLUMINENSE: A ESPACIALIZA\u00c7\u00c3O DOS MEIOS DE HOSPEDAGEM E SUAS TIPOLOGIAS EM ANGRA DOS REIS \u2013 RJ.<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Tha\u00eds de Oliveira Gomes<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">19<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">5390<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">PRODU\u00c7\u00c3O DO ESPA\u00c7O, TURISMO E CONFLITOS SOCIOESPACIAIS E AMBIENTAIS NA REGI\u00c3O DOS LAGOS FLUMINENSES &#8211; A CONFIGURA\u00c7\u00c3O E O AJUSTE ESPACIAL DE CABO FRIO\/RJ<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Fernanda de Sales Fernandes<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">20<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4939<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">CRIME, UPP e CRISE: O PROJETO DE POLICIAMENTO DE PROXIMIDADE E O IMPACTO SOBRE A CRIMINALIDADE NO CONTEXTO DE CRISE ECON\u00d4MICA DO ESTADO DO RIO DE JANEIRO<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Jo\u00e3o Victor Barreira Sobrinho<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">21<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">5166<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Selos cruelty-free: uma an\u00e1lise da atua\u00e7\u00e3o dos atores p\u00fablicos e privados na promo\u00e7\u00e3o da \u00e9tica animal na ind\u00fastria de cosm\u00e9ticos<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Carolina Borges Menezes<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">22<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4781<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">H\u00e1 um Polo Gastron\u00f4mico aqui? A Estrada do Iaraqu\u00e3 e sua restaura\u00e7\u00e3o comercial em Campo Grande,zona oeste carioca<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">T\u00e2nia Aparecida Oliveira de Almeida<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">23<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4772<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">A LUTA PELA PERMAN\u00caNCIA NA UNIVERSIDADE P\u00daBLICA: DESAFIOS E CONQUISTAS DO COLETIVO DE PAIS E M\u00c3ES DA UFRRJ<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Juliana da Silva Russo<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">24<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4694<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">O Habitar no Campus Serop\u00e9dica da UFRRJ<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Luiz Philipe Santos da Silva<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">25<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4929<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">A SUSTENTABILIDADE E A HOTELARIA CARIOCA: CRIT\u00c9RIOS PARA UM DESENVOLVIMENTO INTEGRADO E PARTICIPATIVO<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Luiz Felipe Miranda<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">26<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4674<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Desigualdades Sociais E Pol\u00edticas P\u00fablicas Voltadas Para O Ensino Superior: Avan\u00e7os e Retrocessos Na Proposta De Amplia\u00e7\u00e3o<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Bruna Rosa Muniz da Silva<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">27<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4819<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">O Perfil dos Consumidores de Produtos Org\u00e2nicos: um olhar que perpassa cor e renda<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Agata Alexandre Oliveira Mendes<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">28<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4895<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Desafios para o gerenciamento de res\u00edduos s\u00f3lidos no Direito Internacional do Meio Ambiente<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Larissa Euzebio Peres<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">29<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4771<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">POL\u00cdTICAS DE SEGURAN\u00c7A ALIMENTAR: INTERSETORIALIDADE NO BRASIL<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Mari\u00e1ra Aparecida Miranda Pinto<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">30<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">5456<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">SOBERANIA ALIMENTAR E EDUCA\u00c7\u00c3O AMBIENTAL NA ATMOSFERA ESCOLAR<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">joao batista ciriaco<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">31<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4679<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Viol\u00eancia Contra a Mulher: Uma Estrutura Social<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Samara Ruzza Som Luciano<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">32<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">5333<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Comunica\u00e7\u00e3o e Educa\u00e7\u00e3o: pr\u00e1ticas e perspectivas da comunica\u00e7\u00e3o como dimens\u00e3o do encontro<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Douglas Maia Colar\u00e9s<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">33<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">5126<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">AS REDES, A VITRINE E O ESPELHO: o of\u00edcio narrativo online diante de experi\u00eancias de dor<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Bruno Rocha Cardoso<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">34<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">5058<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">O SUCESSO DO FRACASSO E A DOR MIDIATIZADA &#8211; UM ESTUDO DE CASO SOBRE OS INFLUENCIADORES DIGITAIS PC SIQUEIRA E ROMAGAGA<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Bruno Rocha Cardoso<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">35<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">5409<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Centro Especializado em Reabilita\u00e7\u00e3o Auditiva e Visual: A Arquitetura Sensorial como Instrumento de Informa\u00e7\u00e3o Espacial.<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Mirela Freitas Linhares<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 2px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">36<\/span><\/td>\n<td style=\"border-top: 1px solid #000000;border-bottom: 2px solid #000000;border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">5440<\/span><\/td>\n<td style=\"border-top: 1px solid #000000;border-bottom: 2px solid #000000;border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">VIOL\u00caNCIA CONTRA \u00c0 MULHER E PERSPECTIVAS DE A\u00c7\u00d5ES PROGRAM\u00c1TICAS: O SENTIDO ESTRUTURAL DA VIOL\u00caNCIA DIRETA E INDIRETA<\/span><\/td>\n<td style=\"border-top: 1px solid #000000;border-bottom: 2px solid #000000;border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Lorena Santos Miranda<\/span><\/td>\n<\/tr>\n<tr>\n<td colspan=\"926\" valign=\"bottom\" height=\"21\" align=\"center\"><span style=\"color: #000000\">&nbsp;<\/span><\/td>\n<\/tr>\n<tr>\n<td valign=\"bottom\" height=\"5\" align=\"left\"><span style=\"color: #000000\">&nbsp;<\/span><\/td>\n<td valign=\"bottom\" align=\"center\">&nbsp;<\/td>\n<td valign=\"bottom\" align=\"left\">&nbsp;<\/td>\n<td valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">&nbsp;<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border: 2px solid #000000\" colspan=\"4\" valign=\"bottom\" height=\"23\" bgcolor=\"#E2EFD9\" align=\"center\"><b><span style=\"color: #000000;font-size: large\">Ci\u00eancias Humanas, Ci\u00eancias Sociais Aplicada, Letras, Lingu\u00edstica e Artes &#8211; Instituto de Educa\u00e7\u00e3o, Serop\u00e9dica &#8211; Ter\u00e7a-feira (24\/09\/2019) &#8211; 09:00-12:00 h<\/span><\/b><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 2px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"middle\" height=\"20\" bgcolor=\"#E2EFD9\" align=\"center\"><b><span style=\"color: #000000;font-size: medium\">&nbsp;<\/span><\/b><\/td>\n<td style=\"border-top: 2px solid #000000;border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"middle\" align=\"center\"><b><span style=\"font-size: medium\">ID da Entrada<\/span><\/b><\/td>\n<td style=\"border-top: 2px solid #000000;border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"middle\" align=\"center\"><b><span style=\"font-size: medium\">T\u00edtulo<\/span><\/b><\/td>\n<td style=\"border-top: 2px solid #000000;border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"middle\" align=\"center\"><b><span style=\"color: #000000;font-size: medium\">Graduando<\/span><\/b><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 2px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">1<\/span><\/td>\n<td style=\"border-top: 2px solid #000000;border-bottom: 1px solid #000000;border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4743<\/span><\/td>\n<td style=\"border-top: 2px solid #000000;border-bottom: 1px solid #000000;border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">&#8220;Vale do Caf\u00e9&#8221;: Estudo sobre o turismo em fazendas hist\u00f3ricas na cidade de Vassouras &#8211; RJ<\/span><\/td>\n<td style=\"border-top: 2px solid #000000;border-bottom: 1px solid #000000;border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Vanessa Guedes Passeri<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">2<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">5076<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">TRAJET\u00d3RIA INTELECTUAL DA HISTORIADORA SANDRA JATAHY PESAVENTO E A RECEP\u00c7\u00c3O DA HIST\u00d3RIA CULTURAL NO BRASIL<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">B\u00e1rbara Pinheiro Baptista<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">3<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4826<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">TRADU\u00c7\u00c3O E HIST\u00d3RIA DA GEOGRAFIA NO BRASIL: A ATUA\u00c7\u00c3O DA GEOTRADUTORA OLGA MARIA BUARQUE DE LIMA FREDRICH JUNTO AO BOLETIM GEOGR\u00c1FICO (1943-1978)<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Luanna Siebert dos Santos<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">4<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"center\"><span style=\"color: #000000\">xxx<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">TERRIT\u00d3RIOS AGR\u00cdCOLAS NA REGI\u00c3O METROPOLITANA DO RIO DE JANEIRO: ESTADO DA ARTE DA PRODU\u00c7\u00c3O BIBLIOGR\u00c1FICA<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Adrielly Samim Matos<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">5<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"center\"><span style=\"color: #000000\">xxx<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" bgcolor=\"#FFFFFF\" align=\"left\"><span style=\"color: #000000\">FEIRAS ORG\u00c2NICAS E AGROECOL\u00d3GICAS NA REGI\u00c3O METROPOLITANA(RJ): O ESTADO DA ARTE DA PESQUISA<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" bgcolor=\"#FFFFFF\" align=\"left\"><span style=\"color: #000000\">Caio Almeida Borba da Silva<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">6<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4998<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">CONSTRU\u00c7\u00c3O DE MAQUETE TOPOGR\u00c1FICA EM MDF DA REGI\u00c3O CENTRAL DA CIDADE DO RIO DE JANEIRO EM 1900 (RJ &#8211; BRASIL)<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Mateus Ribeiro Rodriguez<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">7<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">5370<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">COM\u00c9RCIO INFORMAL NO TRANSPORTE FERROVI\u00c1RIO DO RIO DE JANEIRO<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Renata Braga dos Santos<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">8<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4857<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">DIREITOS HUMANOS E CONDI\u00c7\u00c3O DE REFUGIADO NO TERRIT\u00d3RIO BRASILEIRO: REFLEX\u00d5ES DA PSICOLOGIA<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Manuela Cavalcanti Santos<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">9<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">5393<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">NOVA POL\u00cdTICA DE DROGAS E INCREMENTO \u00c0S COMUNIDADES TERAP\u00caUTICAS A PARTIR DAS ALTERA\u00c7\u00d5ES LEGISLATIVAS DE 2019<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Augusto Moreira de Vasconcelos<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">10<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4779<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">DOC\u00caNCIA E MASCULINIDADE: UM ESTUDO SOBRE SER PROFESSOR GAY NO ENSINO FUNDAMENTAL I<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Marllon Rodrigues de Oliveira Fortunato<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2F0D9\" align=\"left\"><span style=\"color: #000000\">11<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4769<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">INOVA\u00c7\u00c3O NO APRENDIZADO DE LIMITE MEDIANTE RECURSOS DIGITAIS<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Rafael Dias Lobo<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 2px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2F0D9\" align=\"left\"><span style=\"color: #000000\">12<\/span><\/td>\n<td style=\"border-top: 1px solid #000000;border-bottom: 2px solid #000000;border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4906<\/span><\/td>\n<td style=\"border-top: 1px solid #000000;border-bottom: 2px solid #000000;border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">FILOSOFIA CIM CRIAN\u00c7AS: REFLEX\u00d5ES SOBRE O CONCEITO DE REGRAS<\/span><\/td>\n<td style=\"border-top: 1px solid #000000;border-bottom: 2px solid #000000;border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Nath\u00e1lia Amaral Jovito <\/span><\/td>\n<\/tr>\n<tr>\n<td valign=\"bottom\" height=\"21\" bgcolor=\"#FFFFFF\" align=\"left\"><span style=\"color: #000000\">&nbsp;<\/span><\/td>\n<td valign=\"middle\" align=\"center\"><span style=\"color: #000000\">&nbsp;<\/span><\/td>\n<td valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">&nbsp;<\/span><\/td>\n<td valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">&nbsp;<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border: 2px solid #000000\" colspan=\"4\" valign=\"bottom\" height=\"23\" bgcolor=\"#E2EFD9\" align=\"center\"><b><span style=\"color: #000000;font-size: large\">Ci\u00eancias Humanas, Ci\u00eancias Sociais Aplicada, Letras, Lingu\u00edstica e Artes &#8211; Instituto de Educa\u00e7\u00e3o, Serop\u00e9dica &#8211; Ter\u00e7a-feira (24\/09\/2019) &#8211; 13:00-17:00 h<\/span><\/b><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 2px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"middle\" height=\"20\" bgcolor=\"#E2EFD9\" align=\"center\"><b><span style=\"color: #000000;font-size: medium\">&nbsp;<\/span><\/b><\/td>\n<td style=\"border-top: 2px solid #000000;border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"middle\" align=\"center\"><b><span style=\"font-size: medium\">ID da Entrada<\/span><\/b><\/td>\n<td style=\"border-top: 2px solid #000000;border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"middle\" align=\"center\"><b><span style=\"font-size: medium\">T\u00edtulo<\/span><\/b><\/td>\n<td style=\"border-top: 2px solid #000000;border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"middle\" align=\"center\"><b><span style=\"color: #000000;font-size: medium\">Graduando<\/span><\/b><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 2px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">1<\/span><\/td>\n<td style=\"border-top: 2px solid #000000;border-bottom: 1px solid #000000;border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4954<\/span><\/td>\n<td style=\"border-top: 2px solid #000000;border-bottom: 1px solid #000000;border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Africanos na Baixada: uma an\u00e1lise de registros post-mortem de escravizados na era do contrabando (1831-1878).<\/span><\/td>\n<td style=\"border-top: 2px solid #000000;border-bottom: 1px solid #000000;border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Juliana Delphino Garcia da Silva<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">2<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4946<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Juventudes e Disputas no Campo Pol\u00edtico Brasileiro<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Gelson Henrique Silva da Silva<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">3<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4919<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Mulheres e Direitos Humanos: Contribui\u00e7\u00f5es do Saber Psicol\u00f3gico<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Juliane Rodrigues Vieira<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">4<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4999<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">MULHERES DE LETRAS E VIRTUDES: OS \u201cESBO\u00c7OS FEMININOS\u201d DE IGNEZ SABINO (1890-1891)<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Marcela Barbosa Penna<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">5<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">5421<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Tecendo rede em torno dos encaminhamentos de queixa escolar aos dispositivos de sa\u00fade mental em Paracambi: an\u00e1lise e perspectivas da atua\u00e7\u00e3o da psicologia.<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Let\u00edcia Alves Veloso<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">6<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4984<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Intelectuais como objeto de Pesquisa no Pensamento Social e Pol\u00edtico Brasileiro<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Tainn\u00e1 Michaeli do Amaral<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 2px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">7<\/span><\/td>\n<td style=\"border-top: 1px solid #000000;border-bottom: 2px solid #000000;border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4832<\/span><\/td>\n<td style=\"border-top: 1px solid #000000;border-bottom: 2px solid #000000;border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">BRIC\u2019S: PERSPECTIVAS SOBRE UMA NOVA ORDEM ECON\u00d4MICA MUNDIAL<\/span><\/td>\n<td style=\"border-top: 1px solid #000000;border-bottom: 2px solid #000000;border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" align=\"left\">Nat\u00e1lia de Frias Sim\u00f5es Paes<\/td>\n<\/tr>\n<tr>\n<td valign=\"bottom\" height=\"21\" bgcolor=\"#FFFFFF\" align=\"left\"><span style=\"color: #000000\">&nbsp;<\/span><\/td>\n<td valign=\"middle\" bgcolor=\"#FFFFFF\" align=\"center\">&nbsp;<\/td>\n<td valign=\"bottom\" bgcolor=\"#FFFFFF\" align=\"left\">&nbsp;<\/td>\n<td valign=\"bottom\" bgcolor=\"#FFFFFF\" align=\"left\"><span style=\"color: #000000\">&nbsp;<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border: 2px solid #000000\" colspan=\"4\" valign=\"bottom\" height=\"23\" bgcolor=\"#E2EFD9\" align=\"center\"><b><span style=\"color: #000000;font-size: large\">Ci\u00eancias Humanas, Ci\u00eancias Sociais Aplicada, Letras, Lingu\u00edstica e Artes &#8211; Instituto de Educa\u00e7\u00e3o, Serop\u00e9dica &#8211; Quarta-feira (25\/09\/2019) &#8211; 09:00-12:00 h<\/span><\/b><\/td>\n<\/tr>\n<tr>\n<td style=\"border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"middle\" height=\"20\" bgcolor=\"#E2EFD9\" align=\"center\"><b><span style=\"color: #000000;font-size: medium\">&nbsp;<\/span><\/b><\/td>\n<td style=\"border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"middle\" align=\"center\"><b><span style=\"font-size: medium\">ID da Entrada<\/span><\/b><\/td>\n<td style=\"border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"middle\" align=\"center\"><b><span style=\"font-size: medium\">T\u00edtulo<\/span><\/b><\/td>\n<td style=\"border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"middle\" align=\"center\"><b><span style=\"color: #000000;font-size: medium\">Graduando<\/span><\/b><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 2px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">1<\/span><\/td>\n<td style=\"border-top: 2px solid #000000;border-bottom: 1px solid #000000;border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4958<\/span><\/td>\n<td style=\"border-top: 2px solid #000000;border-bottom: 1px solid #000000;border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Asi\u00e1ticos escravizados em Lisboa no s\u00e9culo XVII: origens e rela\u00e7\u00f5es interpessoais<\/span><\/td>\n<td style=\"border-top: 2px solid #000000;border-bottom: 1px solid #000000;border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Fernanda Fernandes da Silva<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">2<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4815<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Escravos da Imperial Fazenda de Santa Cruz, alugados a Diversos e a si. (1862 _ 1868).<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Amanda Camila Esteves de Souza<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">3<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4935<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">ESTRANGEIRIZA\u00c7\u00c3O DAS TERRAS: UMA AN\u00c1LISE DOS DADOS SOBRE IM\u00d3VEIS RURAIS NO BRASIL<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Nilo Sergio de Medeiros Gomes J\u00fanior<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">4<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">5470<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">O dissenso de Goya: Reflex\u00f5es a partir dos regimes das artes de Jacques Ranci\u00e8re<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Beatriz Moreira Barreto Pinto<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">5<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4880<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">DIREITOS HUMANOS DA INF\u00c2NCIA E ADOLESC\u00caNCIA: DI\u00c1LOGOS COM A PSICOLOGIA<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Juliane Torres Do Nascimento<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">6<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4925<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">DE IMPURO A BAR\u00c3O: A TRAJET\u00d3RIA DE ANT\u00d4NIO RODRIGUES DE AZEVEDO NA VILA DE S\u00c3O FRANCISCO XAVIER (ITAGUA\u00cd), 1848-1873<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Iago Luan da Silva Pinheiro<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">7<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">5436<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">O IMPACTO SOCIAL DO PREPARAT\u00d3RIO PARA O ENEM DA UNIVERSIDADE FEDERAL RURAL DO RIO DE JANEIRO &#8211; SEROP\u00c9DICA<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">PAULO FILIPE COSTA LATTO<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">8<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4655<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Nietzsche e o Budismo, a religi\u00e3o que tentou superar o niilismo<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Iago Pereira da Silva<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">9<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4656<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Os afetos, entre Nietzsche e Kafka<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Qu\u00e9sia Oliveira Olanda<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">10<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">5149<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Os desafios da popula\u00e7\u00e3o em situa\u00e7\u00e3o de rua frente \u00e0s pol\u00edticas de sa\u00fade p\u00fablica<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Isabella Gualberto Peixoto<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">11<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">5298<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">OFICINA DE PINTURA COM TINTAS ARTESANAIS E ATIVIDADE DE INTEGRA\u00c7\u00c3O E EXTENS\u00c3O ENTRE O ETNOPET E A ESCOLA \u00c1UREA PIRES DA GAMA &#8211; TRABALHANDO A CONSTRU\u00c7\u00c3O DE IDENTIDADE DE COMUNIDADES QUILOMBOLAS<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Jussara Adriano de Souza<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">12<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">5119<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">CINE CLUBE E A PROMO\u00c7\u00c3O DO DESENVOLVIMENTO LOCAL DO MUNIC\u00cdPIO DE SEROP\u00c9DICA ATRAV\u00c9S DA CULTURA<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">ramona marcelle dos santos lavouras<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">13<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4870<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">O papel do Oriente M\u00e9dio na reforma do regime internacional de regula\u00e7\u00e3o dos investimentos estrangeiros<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Fernanda Mateus Rosa da Silva<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">14<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">5337<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">ESTIMANDO O CUSTO D\u00c9FICIT DE PETR\u00d3LEO PARA A ECONOMIA DO ESTADO DO RIO DE JANEIRO: UMA AN\u00c1LISE DE INSUMO-PRODUTO<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Lucas Matheus Camilo de Almeida<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">15<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4735<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">An\u00e1lise dos impactos dos megaempreendimentos nas cidades de Itagua\u00ed e Serop\u00e9dica \u00e0 partir dos anos 2000: uma an\u00e1lise atrav\u00e9s dos indicadores de Desenvolvimento Territorial Sustent\u00e1vel, da Teoria da Regula\u00e7\u00e3o Francesa e da Teoria do Desenvolvimento Multidimensional<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Nicholas Augusto Mendes da Rocha Lima<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">16<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4944<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">CAPACITA\u00c7\u00c3O PROFISSIONAL COMO ESTRAT\u00c9GIA TOMADA PELA UFRRJ PARA ATENDIMENTO A INSTRU\u00c7\u00c3O NORMATIVA 09\/2018 (SEGES\/MPDG).<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Mestrado Educa\u00e7\u00e3o Agr\u00edcola<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">17<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\">4842<\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\">Consci\u00eancia Negra na Escola: Mem\u00f3ria e Identidade<\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\">Rosa Am\u00e9lia Leal Pereira<\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">18<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\">4667<\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\">Dos palcos aos jornais: a recep\u00e7\u00e3o cr\u00edtica da obra de Gerv\u00e1sio Lobato no Rio de Janeiro<\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\">Alicia Fontes Jardim<\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">19<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\">4646<\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\">Ensino e aprendizagem de Portugu\u00eas para falantes de outras l\u00ednguas no \u00e2mbito da UFRRJ: produ\u00e7\u00e3o e leitura de textos acad\u00eamicos<\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\">Ana Beatriz Faltz Pereira Amaral<\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">20<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\">5328<\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\">Povos Ind\u00edgenas na Contemporaneidade<\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\">Licenciatura em Belas Artes<\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">21<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\">5014<\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\">ROMANTISMO EM MEMES: ENSINO DE HIST\u00d3RIA DA ARTE ATRAV\u00c9S DA CULTURA VISUAL<\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\">L\u00edvia Pereira Abbade<\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 2px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">22<\/span><\/td>\n<td style=\"border-top: 1px solid #000000;border-bottom: 2px solid #000000;border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"middle\" align=\"center\">4950<\/td>\n<td style=\"border-top: 1px solid #000000;border-bottom: 2px solid #000000;border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" align=\"left\">SIMBOLOS ADINKRAS: EDUCA\u00c7\u00c3O ART\u00cdSTICA ATRAV\u00c9S DA CULTURA AFRO-BRASILEIRA<\/td>\n<td style=\"border-top: 1px solid #000000;border-bottom: 2px solid #000000;border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" align=\"left\">Beatriz Oliveira Soares de Araujo<\/td>\n<\/tr>\n<tr>\n<td valign=\"bottom\" height=\"21\" bgcolor=\"#FFFFFF\" align=\"left\"><span style=\"color: #000000\">&nbsp;<\/span><\/td>\n<td valign=\"middle\" bgcolor=\"#FFFFFF\" align=\"center\">&nbsp;<\/td>\n<td valign=\"bottom\" bgcolor=\"#FFFFFF\" align=\"left\">&nbsp;<\/td>\n<td valign=\"bottom\" bgcolor=\"#FFFFFF\" align=\"left\"><span style=\"color: #000000\">&nbsp;<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border: 2px solid #000000\" colspan=\"4\" valign=\"bottom\" height=\"23\" bgcolor=\"#E2EFD9\" align=\"center\"><b><span style=\"color: #000000;font-size: large\">Ci\u00eancias Humanas, Ci\u00eancias Sociais Aplicada, Letras, Lingu\u00edstica e Artes &#8211; Instituto de Educa\u00e7\u00e3o, Serop\u00e9dica &#8211; Quarta-feira (25\/09\/2019) &#8211; 13:00-17:00 h<\/span><\/b><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 2px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"middle\" height=\"20\" bgcolor=\"#E2EFD9\" align=\"center\"><b><span style=\"color: #000000;font-size: medium\">&nbsp;<\/span><\/b><\/td>\n<td style=\"border-top: 2px solid #000000;border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"middle\" align=\"center\"><b><span style=\"font-size: medium\">ID da Entrada<\/span><\/b><\/td>\n<td style=\"border-top: 2px solid #000000;border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"middle\" align=\"center\"><b><span style=\"font-size: medium\">T\u00edtulo<\/span><\/b><\/td>\n<td style=\"border-top: 2px solid #000000;border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"middle\" align=\"center\"><b><span style=\"color: #000000;font-size: medium\">Graduando<\/span><\/b><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 2px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">1<\/span><\/td>\n<td style=\"border-top: 2px solid #000000;border-bottom: 1px solid #000000;border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">5430<\/span><\/td>\n<td style=\"border-top: 2px solid #000000;border-bottom: 1px solid #000000;border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">\u201cRota Cervejeira Do Rio De Janeiro\u201d: Estudo De Caso A Partir Da Cidade De Nova Friburgo- Rj<\/span><\/td>\n<td style=\"border-top: 2px solid #000000;border-bottom: 1px solid #000000;border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Bruna Soloina Monteiro Machado<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">2<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4982<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Agroecologia: do mundo para o CTUR<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Larissa Gon\u00e7alves de Miranda\/Larissa Cristina Ferreira Melo\/S\u00e1vio Silva de Oliveira \/Ana Julia Cardoso Borges<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">3<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4969<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">O BAIRRO DIANTE \u00c0 METR\u00d3POLE: FRAGMENTA\u00c7\u00c3O URBANA E MEM\u00d3RIA EM CAMPO GRANDE-RJ<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Matheus Melo da Silva<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">4<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4900<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Constru\u00e7\u00e3o de Maquetes para o Ensino de Geografia<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Tain\u00e1 Moreira da Silva<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">5<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4763<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Intera\u00e7\u00f5es e aprendizagem com materiais curriculares educativos online na licenciatura em matem\u00e1tica<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Gabriel dos Santos Muniz<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">6<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\">5478<\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000;font-family: Calibri\">Escrituras de perd\u00e3o no Rio de Janeiro setecentista: Cultura jur\u00eddica e religiosa.<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000;font-family: Calibri\">Louhana Rosa Dias de Oliveira <\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">7<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\">5479<\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000;font-family: Calibri\">DESAFIOS DA EJA SOB \u00d3TICAS PROFISSIONAIS<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000;font-family: Calibri\">Rennan Alves Moura Rosa <\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">8<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4703<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">TRAVESTILIDADE E DITADURA CIVIL-MILITAR: PESQUISA EM FONTES ORAIS<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Paulo Vitor Guedes de Souza<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">9<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4632<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">MAPEAMENTO DOS FLUXOS DE INVESTIMENTOS NA COOPERA\u00c7\u00c3O ECON\u00d4MICA ENTRE O BRASIL E A AM\u00c9RICA LATINA [2003-2018]: O CASO DAS EMPRESAS BRASILEIRAS DA CONSTRU\u00c7\u00c3O CIVIL<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Maria Clara Leadebal Celestino<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">10<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4891<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">LITERATURA NEGRA INFANTO-JUVENIL: DISCURSOS AFRO- BRASILEIROS EM CONSTRU\u00c7\u00c3O<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Rosane Gabrielly Santiago Lima<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">11<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">5272<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">M\u00c3O DE OBRA E CONDI\u00c7\u00d5ES DE TRABALHO NA COMPANHIA BRASIL INDUSTRIAL \u2013 PARACAMBI, 1874-1891<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Mariana de Souza Marques<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">12<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4896<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">O AVAN\u00c7O DOS \u201cNOVOS\u201d MOVIMENTOS CONSERVADORES EM NOVA IGUA\u00c7U\/RJ: A CIDADANIA COMO A \u00daNICA FACE DA POL\u00cdTICA<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Bernardo Bispo Santos<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">13<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4983<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">MIGRA\u00c7\u00c3O, REF\u00daGIO E ASILO POL\u00cdTICO: um estudo acerca do preconceito, representa\u00e7\u00f5es sociais e identidade social.<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Julia Marques de Alvarenga<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">14<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4680<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">MOVIMENTOS SOCIAIS E EDUCA\u00c7\u00c3O DO CAMPO: UMA RELA\u00c7\u00c3O DE RECONHECIMENTO E IDENTIDADE<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Th\u00e1rsyla Barreto Rodrigues<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">15<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">5305<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Migra\u00e7\u00f5es negras, trabalho e trajet\u00f3rias no P\u00f3s-Aboli\u00e7\u00e3o do Rio de Janeiro (1920-1950): An\u00e1lise da Casa de Deten\u00e7\u00e3o<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Tatiane de Medeiros Miranda<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">16<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4631<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Representa\u00e7\u00f5es sociais sobre a defici\u00eancia<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Beatriz Rosendo Laureano<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">17<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4853<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Promo\u00e7\u00e3o imobili\u00e1ria em Nova Igua\u00e7u: requalifica\u00e7\u00e3o da \u00e1rea central e novos usos<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Josias Felipe Figueira Mendes<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">18<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">5130<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">SAMBA, FEIJOADA E M\u00daSICA GOSPEL: OUTRAS FACES DO PENTECOSTALISMO, NAS PERIFERIAS FLUMINENSES<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">FREDERICO FELIPE SOUZA DE ASSIS<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">19<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">5190<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">POL\u00cdTICA DE DROGAS NO BRASIL E ASSIST\u00caNCIA \u00c0S PESSOAS QUE FAZEM USO PROBLEMATICO DE DROGAS: AS COMUNIDADES TERAP\u00caUTICAS RELIGIOSAS NA BAIXADA FLUMINENSE.<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Augusto Moreira de Vasconcelos<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">20<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\">5405<\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\">A Fotografia Geom\u00e9trica como atividade l\u00fadica no ensino de Geometria Descritiva: uma experi\u00eancia no Ensino de Jovens e Adultos<\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\">Gisele Serrador Michaeli<\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">21<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\">4831<\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\">A UTILIZA\u00c7\u00c3O DE PIGMENTOS NATURAIS NO FAZER CRIATIVO ESCOLAR<\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\">Mylena da Cruz Figueira<\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">22<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\">5327<\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\">Din\u00e2mica \u00c1rvore do Conhecimento<\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\">Licenciatura em Belas Artes<\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">23<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\">4621<\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\">Perspectiva cognitivista sobre as quest\u00f5es sociais no espa\u00e7o escolar<\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\">J\u00e9ssica Marques da Costa Tostes<\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">24<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\">5476<\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\">ROSANA PAULINO DIALOGOS COM HERAN\u00c7A AFRO-BRASILEIRA NA EJA<\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Eliza Maria Mesquita da Silva<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">25<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\">4945<\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\">Lista dos mais vendidos e a cr\u00edtica liter\u00e1ria: percursos de uma cultura futurol\u00f3gica<\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\">Valber Eccard Lins Cordeiro<\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">26<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\">4824<\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\">Atividade com tema: semana de Arte Moderna 1922<\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\">WILLIAM LACERDA REIS GALDINO SOARES<\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 2px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">27<\/span><\/td>\n<td style=\"border-top: 1px solid #000000;border-bottom: 2px solid #000000;border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"middle\" align=\"center\">5383<\/td>\n<td style=\"border-top: 1px solid #000000;border-bottom: 2px solid #000000;border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" align=\"left\">ESTRAT\u00c9GIAS DISCURSIVAS NO DEBATE POL\u00cdTICO-ELEITORAL DE 2018<\/td>\n<td style=\"border-top: 1px solid #000000;border-bottom: 2px solid #000000;border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" align=\"left\">PEDRO FREIRE BARRETO<\/td>\n<\/tr>\n<tr>\n<td valign=\"bottom\" height=\"21\" bgcolor=\"#FFFFFF\" align=\"left\"><span style=\"color: #000000\">&nbsp;<\/span><\/td>\n<td valign=\"middle\" bgcolor=\"#FFFFFF\" align=\"center\">&nbsp;<\/td>\n<td valign=\"bottom\" bgcolor=\"#FFFFFF\" align=\"left\">&nbsp;<\/td>\n<td valign=\"bottom\" bgcolor=\"#FFFFFF\" align=\"left\"><span style=\"color: #000000\">&nbsp;<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 2px solid #000000;border-left: 2px solid #000000;border-right: 2px solid #000000\" colspan=\"4\" valign=\"bottom\" height=\"23\" bgcolor=\"#E2EFD9\" align=\"center\"><b><span style=\"color: #000000;font-size: large\">Ci\u00eancias Humanas, Ci\u00eancias Sociais Aplicada, Letras, Lingu\u00edstica e Artes &#8211; Instituto de Educa\u00e7\u00e3o, Serop\u00e9dica &#8211; Quinta-feira (26\/09\/2019) &#8211; 09:00-12:00 h<\/span><\/b><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 2px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"middle\" height=\"20\" bgcolor=\"#E2EFD9\" align=\"center\"><b><span style=\"color: #000000;font-size: medium\">&nbsp;<\/span><\/b><\/td>\n<td style=\"border-top: 2px solid #000000;border-bottom: 1px solid #000000;border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"middle\" align=\"center\"><b><span style=\"font-size: medium\">ID da Entrada<\/span><\/b><\/td>\n<td style=\"border-top: 2px solid #000000;border-bottom: 1px solid #000000;border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"middle\" align=\"center\"><b><span style=\"font-size: medium\">T\u00edtulo<\/span><\/b><\/td>\n<td style=\"border-top: 2px solid #000000;border-bottom: 1px solid #000000;border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"middle\" align=\"center\"><b><span style=\"color: #000000;font-size: medium\">Graduando<\/span><\/b><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">1<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">5174<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">SEDIMENTOS, PALEOCANAIS E TERRA\u00c7OS FLUVIAIS DO RIO SANTANA COMO SUPORTE PARA O ENTENDIMENTO DA DIN\u00c2MICA FLUVIAL ASSOCIADA \u00c0S REATIVA\u00c7\u00d5ES NEOTECT\u00d4NICAS E EVOLU\u00c7\u00c3O DO GR\u00c1BEN DO RIO SANTANA \u2013 RJ<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Ricardo de Salusse Almeida<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">2<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4822<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">DIREITOS HUMANOS E PSICOLOGIA: MINORIAS RELIGIOSAS NO CONTEXTO NACIONAL<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Luiza Vieira Xavier<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">3<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4644<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">O que o Eletroencefalograma tem a nos dizer sobre a express\u00e3o religiosa: uma revis\u00e3o sistem\u00e1tica<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Matheus Sv\u00f3boda Caruzo<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">4<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">5449<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Centro de Equoterapia no munic\u00edpio de Mangaratiba<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Larissa das Chagas Ramos<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">5<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4652<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" bgcolor=\"#FFFFFF\" align=\"left\"><span style=\"color: #000000\">PROPOSTAS PARA MINIMIZAR RISCOS OCUPACIONAIS DETECTADOS EM DEPARTAMENTOS DE ALIMENTOS E BEBIDAS EM HOT\u00c9IS DO RIO DE JANEIRO<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Thalita do Prado Barbosa<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">6<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4650<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" bgcolor=\"#FFFFFF\" align=\"left\"><span style=\"color: #000000\">Verifica\u00e7\u00e3o dos conceitos da ISO 22.000:2005 (Sistema de gest\u00e3o de seguran\u00e7a de alimentos) em restaurantes de meios de hospedagem<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Rafaela Conde Nunes<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">7<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4971<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">CARACTERIZA\u00c7\u00c3O F\u00cdSICO-QU\u00cdMICA, NUTRICIONAL E SENSORIAL DE GELEIAS GOURMET \u00c0 BASE DE VINHO<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">J\u00e9ssica Collares Vallad\u00e3o<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">8<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4970<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">DESENVOLVIMENTO DE MOLHOS GOURMET \u00c0 BASE DE VINHO: UMA CONTRIBUI\u00c7\u00c3O \u00c0 \u00c1REA DE ALIMENTOS E BEBIDAS<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">J\u00e9ssica Collares Vallad\u00e3o<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">9<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"center\"><span style=\"color: #000000\">XXX<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">SEGURAN\u00c7A ALIMENTAR E NUTRICIONAL NO MUNIC\u00cdPIO DE PARACAMBI-RJ: POL\u00cdTICAS DE FORTALECIMENTO DA AGRICULTURA FAMILIAR<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Mari\u00e1ra Aparecida Miranda Pinto 1; Isabelle Germano Coelho Bezerra 2; Barbara Leandro Monteiro 3 Anelise Dias 4 Katia Cilene Tabai<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">10<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"center\"><span style=\"color: #000000\">XXX<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">PROGRAMA NACIONAL DE ALIMENTA\u00c7\u00c3O ESCOLAR &#8211; PNAE COMO PROMOTOR DE SEGURAN\u00c7A ALIMENTAR E NUTRICIONAL EM ITAGUA\u00cd &#8211; RJ<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Isabelle Germano Coelho Bezerra1 Mari\u00e1ra Aparecida Miranda Pinto 2 Barbara Leandro Monteiro Anelise Dias Katia Cilene Tabai<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 2px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">11<\/span><\/td>\n<td style=\"border-top: 1px solid #000000;border-bottom: 2px solid #000000;border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4670<\/span><\/td>\n<td style=\"border-top: 1px solid #000000;border-bottom: 2px solid #000000;border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">EXPERI\u00caNCIAS E PERCEP\u00c7\u00d5ESDE VIAJANTES BRASILEIROS NO SEGMENTO DE ENOTURISMO<\/span><\/td>\n<td style=\"border-top: 1px solid #000000;border-bottom: 2px solid #000000;border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Natasha Corr\u00eaa Guerra<\/span><\/td>\n<\/tr>\n<tr>\n<td valign=\"bottom\" height=\"23\" align=\"left\"><span style=\"color: #000000\">&nbsp;<\/span><\/td>\n<td valign=\"bottom\" align=\"center\">&nbsp;<\/td>\n<td valign=\"bottom\" align=\"left\">&nbsp;<\/td>\n<td valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">&nbsp;<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border: 2px solid #000000\" colspan=\"4\" valign=\"bottom\" height=\"23\" bgcolor=\"#E2EFD9\" align=\"center\"><b><span style=\"color: #000000;font-size: large\">Ci\u00eancias Humanas, Ci\u00eancias Sociais Aplicada, Letras, Lingu\u00edstica e Artes &#8211; Instituto de Educa\u00e7\u00e3o, Serop\u00e9dica &#8211; Quinta-feira (26\/09\/2019) &#8211; 13:00-17:00 h<\/span><\/b><\/td>\n<\/tr>\n<tr>\n<td style=\"border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"middle\" height=\"20\" bgcolor=\"#E2EFD9\" align=\"center\"><b><span style=\"color: #000000;font-size: medium\">&nbsp;<\/span><\/b><\/td>\n<td style=\"border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"middle\" align=\"center\"><b><span style=\"font-size: medium\">ID da Entrada<\/span><\/b><\/td>\n<td style=\"border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"middle\" align=\"center\"><b><span style=\"font-size: medium\">T\u00edtulo<\/span><\/b><\/td>\n<td style=\"border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"middle\" align=\"center\"><b><span style=\"color: #000000;font-size: medium\">Graduando<\/span><\/b><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 2px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">1<\/span><\/td>\n<td style=\"border-top: 2px solid #000000;border-bottom: 1px solid #000000;border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">5094<\/span><\/td>\n<td style=\"border-top: 2px solid #000000;border-bottom: 1px solid #000000;border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">A TRAJET\u00d3RIA DE MARIA YEDDA LINHARES E O DESENVOLVIMENTO DA HISTORIOGRAFIA BRASILEIRA NAS D\u00c9CADAS DE 1950 A 1970<\/span><\/td>\n<td style=\"border-top: 2px solid #000000;border-bottom: 1px solid #000000;border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Celso Philipe Monteiro de Menezes<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">2<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">5205<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">A recep\u00e7\u00e3o da obra infanto-juvenil afro brasileira por crian\u00e7as e adolescentes da escola quilombola cafund\u00e1 astrogilda, em Vargem Grande, Rio de Janeiro<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Ana Caroline do Nascimento Silva<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">3<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">5448<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">A RECEP\u00c7\u00c3O DA OBRA INFANTO-JUVENIL AFRO BRASILEIRA POR CRIAN\u00c7AS E ADOLESCENTES DA ESCOLA QUILOMBOLA CAFUND\u00c1 ASTROGILDA, EM VARGEM GRANDE, RIO DE JANEIRO<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Ana Caroline do Nascimento Silva<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">4<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4957<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">BELT AND ROAD INITIATIVE (BRI) NA AM\u00c9RICA LATINA: UMA AN\u00c1LISE DO PROJETO CHIN\u00caS NA REGI\u00c3O<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Daniela Assad Dias<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">5<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">5274<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">OBST\u00c1CULO EPISTEMOF\u00cdLICO: COMO A ANSIEDADE ENTRAVA O PROCESSO DE APRENDIZAGEM<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Jenifer Barros Marques<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">6<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">5139<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">O uso de processos judiciais como fonte para a pesquisa hist\u00f3rica<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Mariana dos Santos Cardoso<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">7<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4879<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">O uso de tecnologias digitais em c\u00e1lculo: o smartphone como ferramenta de ensino<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Joyce dos Santos Vergilio<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">8<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4671<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">CASAMENTO NA INF\u00c2NCIA E NA ADOLESC\u00caNCIA NO BRASIL: SUAS CAUSAS E CONSEQU\u00caNCIAS SOB UMA PERSPECTIVA JUR\u00cdDICA E DE G\u00caNERO<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Kananda Jeronimo da Silva<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2EFD9\" align=\"left\"><span style=\"color: #000000\">9<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">5182<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Pluralismo Jur\u00eddico e Autonomias &#8211; contribui\u00e7\u00e3o dos movimentos sociais para a refunda\u00e7\u00e3o do direito<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Paolo Ricci Galv\u00e3o de Azevedo<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2F0D9\" align=\"left\"><span style=\"color: #000000\">10<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4938<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Pluralismo e Monismo Jur\u00eddico &#8211; Perspectivas da Teoria do Direito<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Patrick de Almeida Saigg<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2F0D9\" align=\"left\"><span style=\"color: #000000\">11<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">5175<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Teoria da Decis\u00e3o Judicial e da Jurisdi\u00e7\u00e3o Constitucional<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Maria Theresa Bandeira Gon\u00e7alves<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2F0D9\" align=\"left\"><span style=\"color: #000000\">12<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">5245<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">A constru\u00e7\u00e3o do espa\u00e7o emocional para a parturiente<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Priscila Reis Andraade<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2F0D9\" align=\"left\"><span style=\"color: #000000\">13<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4728<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">REPRODU\u00c7\u00c3O ASSISTIDA: UMA AN\u00c1LISE ACERCA DA MATERNIDADE TARDIA<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Thamires Ferreira Gon\u00e7alves<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2F0D9\" align=\"left\"><span style=\"color: #000000\">14<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\"><span style=\"color: #000000\">4727<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">REPRODU\u00c7\u00c3O ASSISTIDA: O DESEJO DE TER FILHO ACIMA DE QUALQUER RISCO<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Leicimar da Consola\u00e7\u00e3o de Morais<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2F0D9\" align=\"left\"><span style=\"color: #000000\">15<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\">5341<\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\">DESENVOLVIMENTO DA LEITURA REFLEXIVA COLABORATIVA COM ALUNOS DO 9\u00ba ANO<\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\">Ana Carolina de Paiva Muzy<\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2F0D9\" align=\"left\"><span style=\"color: #000000\">16<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\">5413<\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\">Literatura art\u00edstica no Brasil: Levantamento, an\u00e1lise e difus\u00e3o de fontes sobre as artes visuais, s\u00e9culos XIX e XX<\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\">ALESSANDRA LIMA COELHO<\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2F0D9\" align=\"left\"><span style=\"color: #000000\">17<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\">5052<\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\">METODOLOGIA ATIVA DE APRENDIZAGEM NO ENSINO B\u00c1SICO P\u00daBLICO<\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\">Larissa Pacheco Albuquerque<\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 1px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"21\" bgcolor=\"#E2F0D9\" align=\"left\"><span style=\"color: #000000\">18<\/span><\/td>\n<td style=\"border: 1px solid #000000\" valign=\"middle\" align=\"center\">5290<\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\">O DESRECALQUE DO LIRISMO AMOROSO SENTIMENTAL OU: SOMOS TODOS IRREMEDIAVELMENTE CAFONAS?<\/td>\n<td style=\"border: 1px solid #000000\" valign=\"bottom\" align=\"left\">Sandra R\u00fabia Deolindo<\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 1px solid #000000;border-bottom: 2px solid #000000;border-left: 2px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" height=\"18\" bgcolor=\"#E2F0D9\" align=\"left\"><span style=\"color: #000000\">19<\/span><\/td>\n<td style=\"border-top: 1px solid #000000;border-bottom: 2px solid #000000;border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" align=\"center\">4759<\/td>\n<td style=\"border-top: 1px solid #000000;border-bottom: 2px solid #000000;border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" align=\"left\">Os impactos da segunda guerra mundial na reconfigura\u00e7\u00e3o de classe no Brasil<\/td>\n<td style=\"border-top: 1px solid #000000;border-bottom: 2px solid #000000;border-left: 1px solid #000000;border-right: 1px solid #000000\" valign=\"bottom\" align=\"left\"><span style=\"color: #000000\">Kamila Caroline Fernandes Oliveira<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Ci\u00eancias Humanas, Ci\u00eancias Sociais Aplicada, Letras, Lingu\u00edstica e Artes &#8211; Instituto de Educa\u00e7\u00e3o, Serop\u00e9dica &#8211; Segunda-feira (23\/09\/2019) &#8211; 13:00-17:00 h <a class=\"read-more\" href=\"https:\/\/eventos.ufrrj.br\/raic\/ciencias-humanas-sociais-aplicadas-letras-linguistica-e-artes-paineis\/ \">&#8230; leia mais<\/a><\/p>\n","protected":false},"author":7,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-2982","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/eventos.ufrrj.br\/raic\/wp-json\/wp\/v2\/pages\/2982","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eventos.ufrrj.br\/raic\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/eventos.ufrrj.br\/raic\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/eventos.ufrrj.br\/raic\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/eventos.ufrrj.br\/raic\/wp-json\/wp\/v2\/comments?post=2982"}],"version-history":[{"count":5,"href":"https:\/\/eventos.ufrrj.br\/raic\/wp-json\/wp\/v2\/pages\/2982\/revisions"}],"predecessor-version":[{"id":3054,"href":"https:\/\/eventos.ufrrj.br\/raic\/wp-json\/wp\/v2\/pages\/2982\/revisions\/3054"}],"wp:attachment":[{"href":"https:\/\/eventos.ufrrj.br\/raic\/wp-json\/wp\/v2\/media?parent=2982"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}